BBC
By
Chris Jones
March 13, 2009
WESTERN BELL
Kelly
Joe Phelps, the American singer and guitarist, is another in the vast
club of musicians who reside in relative obscurity despite critical validation
with every release. On this latest opus he dispenses with the oblique
wordplay that marks his usual output and concentrates instead on his
considerable skill with six strings and piece of wood. The results, while
typically idiosyncratic, are as remarkable and offbeat as you'd expect
from a man of such proven talent.
Phelps obviously has a foot in both the traditional and the avant garde.
The introductory title track sets the tone marvellously by wrong-footing
the listener. The ghost of primitivist John Fahey lurks over the bluesy
picking. That is, until a single dissonant note pokes its head over the
parapet. The listener may try to ignore it, until it's joined by more
and more, gradually skewing the tune until it begins to resemble one
of Les Dawson's famous 'inept' piano recitals. It's both clever, amusing
and oddly charming.
What follows is a collection of the equivalent of musique concrete for
the guitar (all squeaks and scrapes; again reminiscent of Fahey's later
work with Cul De Sac), ragas, ragts and blues laments. Often approaching
the condition of ambience or even Ry Cooder's soundtrack work it plays
with abstraction in a teasing manner. Blowing Dust 40 Miles is assembled
out of harmonics, wobbly slide work and suchlike. This is music that
teeters on the edge of chaos; almost as if hanging out with jazz players
like Bill Frisell has taught him the value of improvisation even though
it's welded to a folk chassis.
And while Phelps' lyrical work may sometimes be a little too intense
for its own good, you find yourself missing his rasp. Such technically
dazzling stuff can often be hard to really love, and it is a little over-egged.
But when it's properly balanced with the glow of familiar chord progressions
as on the appropriately-named 12-string track, Hometown With Melody,
it's simply wonderful. One for fans.
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